He picked up his guitar and started playing a few bars of a complex fusion tune. "See, I like to use a combination of technique and intuition. I've spent countless hours practicing scales, arpeggios, and chromatic exercises, but I also try to let go of that knowledge and just play from the heart."
In this blog post, we'll explore Scott Henderson's approach to jazz fusion improvisation, and examine how his work can help you improve your own playing. We'll also take a closer look at his PDF work, which offers a unique insight into his playing style and techniques.
Use vocal-like bends, slides, and vibrato.
Play C Lydian Dominant over a C7 chord to instantly inject a sophisticated, modern jazz flavor that retains a dominant bite. The Altered Scale (7th mode of Melodic Minor) scott henderson jazz fusion improvisation pdf work
If you're interested in learning more about Scott Henderson's approach to jazz fusion improvisation, be sure to check out his PDF work. This comprehensive document is a must-have for any serious guitarist or musician looking to take their playing to the next level.
Henderson famously advises jazz players to study the blues deeply. His fusion lines are heavily injected with phrasing inspired by Albert King, Buddy Guy, and Stevie Ray Vaughan.
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The melodic minor scale is the backbone of Henderson's modern jazz fusion sound. He primarily uses two modes:
Practice your lines at whisper-quiet volumes, then transition to aggressive attacks. Fusion improvisation relies heavily on utilizing your guitar’s volume and tone knobs to match the emotional arc of the backing band.
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This is a staple in Henderson’s arsenal for dominant 7th chords, particularly sharp-eleven ( 1 - 2 - 3 - 4 - 5 - 6 -
Use rapid legato sweeps to step "outside" the key center briefly before resolving back "inside" with a sharp pick attack. 5. Structuring Your Practice Routine
: One exercise requires improvising a two-note motive (e.g., D-Eb) and repeating it over a changing chord progression, altering only rhythm, then only dynamics, then only octave displacement. Speed is prohibited.